How to write Suno v6 prompts

v6 rewards prompts written like a session brief: ordered, specific and free of contradiction. Here is the field order that works, and twelve prompts you can copy as-is.

Prompt builder

Every control below rewrites the three prompts instantly. Nothing is uploaded anywhere.

Model

Precise and structured. Best all-round model — give it a tempo, a vocal and a structure.

Presets · 20

Genre Mood Vocal Voice style Era Production Language Theme (optional, your own words)

Tempo

Instruments · up to 3

Picking a fourth drops the first one.

Structure · any combination

Your prompts

Simple

One line, for quick generations.

Modern hook-first pop track at 112 BPM with a female vocal, a euphoric mood, synth pads up front.

Detailed

Full brief: style, tempo, vocals, structure, production.

A modern hook-first pop track. Keep the mood euphoric and lift hard into every chorus. Tempo: 112 BPM, steady feel. Female lead vocal carrying the melody, powerful and belted. Instrumentation: synth pads and drums; keep the synth pads forward in the mix. Structure: intro → verse → chorus → outro. Keep the transitions tight and land the hook early. Production: clean modern studio polish with a wide stereo image and controlled dynamics. Atmosphere: wide-open and bright, with plenty of space around every part.

Experimental

Fusion, odd instruments, texture and dynamic jumps.

Genre fusion: pop pulled through mariachi. Unexpected instrumentation: handclaps caught in a stairwell against music box. Textural contrast: dry, close-up sounds sitting inside vast reverb. Dynamic shifts: a slow swell that tips into chaos and pulls itself back. Keep the euphoric undercurrent and a 112 BPM frame, with synth pads holding the centre.

The eight fields, in order

You rarely need all eight. But when a prompt is not landing, this is the order to add them back in — style first, atmosphere last.

Field	Wording that works	Why it matters
Core style	A dusty lo-fi loop	Era plus sub-genre sets the palette before anything else lands.
Mood	Melancholic throughout	One mood word, stated once. Stacking three moods averages them out.
Tempo	74 BPM	BPM is the strongest single control you have. Name a number.
Vocals	Female vocal, soft and close to the mic	Delivery beats range. “Soft”, “raspy” or “belted” changes the whole record.
Instrumentation	Muffled piano, upright bass, brushed drums	Three parts described precisely. Four or more starts colliding.
Structure	Intro, verse, chorus, outro	Tells Suno it is arranging a track, not generating a loop.
Production	Tape saturation, low-passed top end	The recording is half the genre. Never leave it out.
Atmosphere	Room for one person and a window	Optional, but it is what stops two prompts sounding identical.

Five rules worth keeping

One instruction per idea. “Slow and driving” is a contradiction; “slow with a driving bass line” is not.
Numbers over adjectives for tempo. “Chilled” can mean 80 or 120 BPM depending on the genre. 92 BPM cannot be misread.
Name the recording. Raw, studio, live, lo-fi or cinematic — pick one and put it near the end of the prompt.
Leave the lyrics out of the style prompt. Style and lyrics are separate fields in Suno for a reason; mixing them blurs both.
Change one thing at a time. Prompt writing is closer to mixing than to writing — you need to know what each change did.

12 copy-paste Suno v6 prompts

Written in the order above, across different genres, moods, vocals and eras. Copy one, then edit a single field to make it yours.

A 70s soul ballad. Warm and nostalgic throughout. Tempo: 76 BPM, laid-back feel. Male vocal, raspy and close. Instrumentation: electric piano, upright bass, brushed drums. Structure: intro, verse, chorus, bridge, outro. Production: raw, with room noise left in.
A modern dance-floor EDM track. Euphoric and relentless. Tempo: 128 BPM, driving feel. Instrumental, no vocals. Instrumentation: supersaw synths, punchy drums, deep bass. Structure: intro, verse, chorus, bridge, outro with one clean drop. Production: wide, polished and heavily sidechained.
A 90s Japanese city pop track. Romantic and a little sad. Tempo: 104 BPM, steady feel. Female vocal, airy. Instrumentation: glassy synths, slap bass, saxophone. Structure: intro, verse, chorus, bridge. Production: clean studio polish with long reverb tails.
A Memphis-style phonk track. Dark and menacing. Tempo: 140 BPM, driving feel. Male vocal, raspy. Instrumentation: drums, distorted bass, detuned piano. Structure: intro, verse, chorus. Production: lo-fi with tape saturation and a low-passed top end.
A church-rooted gospel recording. Joyful and lifting. Tempo: 96 BPM, steady feel. Full choir in stacked harmonies. Instrumentation: Hammond organ, piano, live drums. Structure: intro, verse, chorus, bridge, outro. Production: live off the floor with claps left in.
A score-style cinematic piece. Tense and patient. Tempo: 88 BPM, steady feel. Wordless female vocal floating above the strings. Instrumentation: strings, piano, low drums. Structure: intro, verse, chorus, outro. Production: cinematic and wide with long orchestral reverb tails.
An improv-forward jazz quartet. Melancholic and smoky. Tempo: 92 BPM, laid-back feel. Instrumental, no vocals. Instrumentation: saxophone, piano, upright bass, brushed drums. Structure: intro, verse, chorus, outro. Production: live in a small room.
A guitar-driven rock song. Angry and confrontational. Tempo: 148 BPM, driving feel. Male vocal, gritty and strained. Instrumentation: two electric guitars, bass, loud drums. Structure: intro, verse, chorus, bridge, outro. Production: raw, snare dry and high in the mix.
A story-first country song. Nostalgic and bittersweet. Tempo: 96 BPM, steady feel. Male vocal with a slight drawl. Instrumentation: acoustic guitar, pedal steel, bass. Structure: verse, chorus, verse, chorus, bridge. Production: warm polish, acoustic instruments up front.
A textural ambient piece. Peaceful and weightless. Tempo: 60 BPM, laid-back feel. Instrumental, no vocals. Instrumentation: synth pads, strings, one distant piano. Structure: intro and outro only, no percussion anywhere. Production: cinematic and vast with the low end rolled off.
A retro synthwave track. Nostalgic and driving. Tempo: 100 BPM, steady feel. Instrumental, no vocals. Instrumentation: analog synth pads, arpeggiated synth lines, gated drums. Structure: intro, verse, chorus, outro. Production: clean but warm, with tape hiss under the top end.
A beat-driven hip-hop track. Confident and unhurried. Tempo: 88 BPM, laid-back feel. Male vocal, conversational. Instrumentation: drums, upright bass, muted piano sample. Structure: intro, verse, chorus, verse, outro. Production: dusty boom-bap with the drums slightly behind the grid.

The mistakes that show up most

Stacking moods — “sad but hopeful and angry” produces all three, badly.
Giving a BPM that the named genre cannot survive at.
Listing eight instruments so nothing has room in the mix.
Asking for clean studio production on genres defined by imperfection.
Writing a paragraph of atmosphere and forgetting to name a single instrument.